Gigraphy Review - Paloma Faith, SEC Armadillo Glasgow, 30/04/24

Review and photos by Kyan Gilfillan

Paloma Faith's concert at the SEC Armadillo in Glasgow was nothing short of spectacular. From the moment she stepped onto the stage in her signature retro glam outfit, it was evident that the audience was in for an emotional journey through her eclectic back catalogue. The seated arrangement provided a more intimate setting, allowing for a deeper connection between Paloma and her devoted fans.

Opening with songs from her new album, Paloma immediately captivated the audience with her raw and powerful vocals. As she emerged from a cloud of smoke singing "How to Leave a Man," the atmosphere became electric with anticipation. Throughout the night, Paloma's energy was contagious, drawing the audience in and holding them spellbound with each note.

Faith's vocal abilities were awe-inspiring, effortlessly navigating through a range of emotions from vulnerability to raw power. Backed by live instrumentation and backup singers, each song was elevated to new heights, creating a harmonious blend that resonated with the audience.

The live instrumentation, particularly the backing vocalists Nym and Janelle, and guitarist Fred Cox, added a richness and depth to each song, enhancing the overall sonic experience. The backup singers provided the perfect complement to Paloma's vocals, creating a harmonious blend that resonated with the audience and further elevated the performance.

The song selection was meticulously curated, taking listeners on a journey through Paloma's discography while exploring the overarching theme of glorifying sadness. Each song seamlessly transitioned into the next, weaving together a cohesive narrative of heartbreak, resilience, and ultimately, empowerment. Paloma's choices kept the audience captivated from the first note to the last, ensuring they remained emotionally engaged throughout the entire performance.

Paloma, reflecting on the profound gratitude she has garnered from her loyal fan base over the years, established a parallel between the close connection she shares with her audience and a long-lasting romantic alliance. Her sincerity and sense of humour were evident as she made witty remarks about gender equality and joked about being her own support act, evoking laughter.

Transitioning into Act Two, Paloma continued to captivate the audience with her energetic performance and vibrant stage presence. Paloma emerged adorned in a brown, box-like floral gown that she gracefully navigated across the stage while performing. As she began her performance with the timeless chords of "Stone Cold Sober," the room filled with enthusiastic dancers. It was evident by the time she began performing "Picking up the Pieces" that the train on her gown would have to be removed. At the beginning of "Cry Baby," the train was removed, and she proceeded to circle the stage as if she were a caged bird that had been abruptly set free.

As the evening progressed, it was evident that Paloma had thoroughly enjoyed her performance in Glasgow. She expressed gratitude to the audience for their attendance and remarked that she had thoroughly enjoyed the previous sixteen years of her career. She was eager to see what the following sixteen years would bring.

Paloma Faith concluded her performance with "Only Love Can Hurt Like This," which had the audience all up on their feet, swaying with hands up and phone torches illuminating the Armadillo; she had left them on a tremendous high. It was wonderful to see this badass woman back and having a great time.

In conclusion, Paloma Faith's concert was not just a showcase of her musical talent but also a testament to her authenticity and vulnerability as an artist. By sharing her personal journey and inviting fans into her world, Paloma created a deeply meaningful and unforgettable experience that resonated with everyone in attendance.

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